Gomez is now receiving dialectic behavior therapy (DBT), a treatment that identifies and changes negative thinking patterns, as reported by Us Weekly. She’s surrounded by close family and has a lot of support.” “She has had a tough few weeks and the panic attack in the hospital was the tipping point,” a source told People. “She realized she needed to seek additional help for her ongoing emotional issues. During her second hospital visit, she reportedly had an emotional breakdown and is now seeking mental health treatment at an East Coast psychiatric facility, according to Us Weekly. The entertainer was recently hospitalized at Cedars-Sinai Medical Center in Los Angeles during the last week of September after becoming emotional over an alarmingly low white blood cell count, a likely side effect from her recent kidney transplant, according to TMZ. Shortly after being diagnosed, Gomez attended a voluntary mental health program for two weeks and returned in 2016 to manage “anxiety, panic attacks and depression,” a source told Us Weekly.
In 2014, the singer was diagnosed with lupus, a chronic autoimmune disease and in 2017, she was in desperate need of a kidney transplant.
The former Disney Channel star went on to pursue her music and acting career, as well as becoming the youngest UNICEF Ambassador in 2009 and executive producer of Netflix TV-series ‘13 Reasons Why.’
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Gomez has been on the radar since age 9 when she made her first television appearance on children’s TV show ‘Barney & Friends.’ Since then, Gomez earned various small roles before landing her breakthrough leading role on Disney Channel TV-series ‘Wizards of Waverly Place’ in 2007. For now, as long as she makes records as good and as much fun as When the Sun Goes Down, everything will be fine.“I’ve had a lot of issues with depression and anxiety, and I’ve been very vocal about it, but it’s not something I feel I’ll ever overcome,” Gomez told Harper’s Bazaar this past February. Which is perfectly fine for disposable pop albums, but if she wants to make a real impact, she’ll need to dig a little deeper or stake out her own territory. She seems to be acting out the songs, more than actually feeling the emotions she’s singing about.
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Perhaps a bit too easily, as ultimately, Gomez has yet to stake out an identify all her own: a point driven home in the album’s booklet, which features Gomez in a series of images of her in different guises, from Ann-Margret-style sex kitten to 1930s film star. It adds some welcome weirdness to an otherwise straightforward record, and shows how easily and successfully she can slip into different personas and styles. It’s a tiny speck of a flaw though the rest is really solid and fun modern pop with sharp hooks and a couple surprises, namely the stomping jam “Whiplash,” which channels Goldfrapp’s electro glam and throws in a charmingly odd spoken word section that for some reason is done with a British-y accent. She bubbles her way through dancefloor-friendly tracks like “Bang Bang Bang” and “That’s More Like It,” smolders a little (on her duet with Pixie Lott “We Own the Night” and "Middle of Nowhere"), and comes on like a convincing disco diva on “Hit the Lights.” The only stumble is the overly earnest empowerment anthem “Who Says,” which comes off a little stiff and out of place. Her vocals are more spirited, the arrangements less reliant on heavy synths, and overall, there’s a more playful feeling to the record that’s more in keeping with her first album. With a couple exceptions, the songs are sassier, lighter, and more fun. Where that record tried to position Gomez as a more serious and adult artist with varying levels of success, here she’s back to mostly being a young and breezy, happy-go-lucky pop singer. You’d be wrong, though, because When the Sun Goes Down is actually an improvement over 2010's Year Without Rain. You’d be forgiven if you thought Selena Gomez & the Scene’s third album in three years, 2011's When the Sun Goes Down, might show signs of a dip in quality control due to cranking out albums so quickly.
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